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I've been recently working on a solo version of Bobby Hutcherson't "Little B's Poem". It's a 16 bar tune with no bridge. The form is simple but getting the feeling of the tune plus feeling good about the time and the groove have taken me quite a long time. Although I've been "dabbling" in the tune for years I feel I'm finally kind of getting it down. It's a killer. Questions like, "What should I play in the left hand?" "Should I play every change?" "Sould I comp during the solo or just play lines?" Lots of things to consider.

Playing a solo vibraphone version of a new composition titled "Minor Haven". The lead sheet can be downloaded via the link in the video description.

I am not able to play two times exactly the same and with the same attack, but I hope you can get a feeling of the sound.
It was a simple recording using ZOOM H4n on both foldable suitcase frames in my workshop.

I'm kind of regurgitating these old articles and things I did when I was more involved in the music scene but I'll have new stuff soon. I think these articles are pretty good and I wrote them when I was doing a lot of teaching. This article uses drumming as the instrument but the method works for vibe too.

Here's the solo vibe piece that goes with the Misty Lesson. There are some serious challenges in it.

"Yesterdays" is a 1933 song about nostalgia composed by Jerome Kern (lyrics by Otto Harbach), and written for the musical “Roberta.”

This rather rambunctious and “no fear” rendition features my new leather mallets. I’m gradually moving forward on finding a way to make this unique design available to the masses and believe that interest is growing, yes?

Spending time with and learning how to play this beautiful instrument today with the classic "The Nearness of You" by the great composer Hoagy Carmichael. The first chorus is a slow, rubato ballad and then I thought I would try something different for a few choruses in 3/4.

Sharing a little bit of some very early morning practice time today. Here's what's up with this:

One of the things that has always mystified me a little bit, is the blues. I've sat on the drums in small group settings for years - admiring a horn player or singer's ability to express themselves in this unique art form.

Over the last couple of weeks, I've started listening more....and also getting into some of the lessons on this site. Going through Behn's comping lessons...and John's lesson which he shared, and some of the others.

Here is my new travel vibraphone.
Now I finally get no more trouble with the cottage neighbors or my wife.

As my summer toy doesn't create a great sound I have taken the wonderful recording from Maciej Afanasjew for background. I love the sound of the bass vibraphone.
(https://www.youtube.com/watch?v=qHqtlA3E_0g)

So, I need to share this amazing fusion tune from 1976. The band "Gong" and this tune, in particular, transformed my life when I was in high school. There is loads of mallet playing on all of their music. Esnuria is an epic that kicks into many gears and is a virtual percussion extravaganza. The ending in 7 is what I would call "Awesome!" I'll shut up and let the music speak for itself...