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Hello everyone. Last year at the World's Vibe Congress we discussed, among a multitude of other topics, how to create greater exposure for the vibraphone. One of the possibilities we discussed was creating new pieces and works which feature the vibraphone by skilled composers. Over the past 8 months my percussion trio, Portal Percussion, has been working with Colleen Clark, a musician & composer based in NYC, on creating a piece of music which embodies the spirit of the discussion last January.

What does the piece entail?

Exploring on solo vibraphone with a rubato version of Keith Jarrett's Coral. Focusing on motives, dampening and four mallet techniques.

Hey all, he may not be a vibes player, but Herbie Hancock is an artist I'm guessing we all love, admire, and have been influenced by...
so here's my review of his new autobiography, "Possibilities". Hope you enjoy it

Herbie Hancock’s Possibilities
-Reviewed by Anthony Smith

Finally got some videos edited from a show I did a while back, here in NYC with Kevin Hays (piano), Michael Blanco (bass), and Mark Ferber (drums)
This is a re-imagining of Coltrane's "26-2"...
Hope you all dig it!

You guys inspired me to work on "It's You Or
No One"...
I haven't shed it yet, but here's my first pass
playing along with Aebersold!
I think those guys might speed up a little bit during
this take! :-D

(Tony, I'm still trying to flatten that 2 mallet out! Getting
better, but still a work in progress)

I am doing a presentation about the vibraphone in latin jazz music as part of my thesis and I realized after talking to Tony today that there aren't so many vibes player in this music as there are in piano. I know Tito, Cal, Samuels and Christos but how come no really big names like Eddie Palmieri or Chucho Valdes.
What do you guys think about that?

I would appreciate all your comments because not often some is speaking about those stuff and it's part of my presentation.
Thank you all for your time!

Dimitris

Hi all,

This is stella by starlight on solo vibes. The first is a pre-composed solo and the second is a jamming with the latin feel.
The reason I pre-composed the solo is because that way it's easy to practice specific things. It's the same when you practice a pre-composed solo.

thanks and enjoy

“LEARNING TO LISTEN: THE JAZZ JOURNEY OF GARY BURTON”
-reviewed by Anthony Smith
10/31/14

I realize I’m a bit late to the party, as the book was released in 2013, but having just voraciously devoured Learning to Listen: The Jazz Journey of Gary Burton, I feel compelled to offer a review…

Here's a nice performance of a pop song from Genesis!!
Hoper u enjoy