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Hey Guys,

I thought I'd start a little discussion/lesson on how to transcribe changes to tunes. As a drummer(or a drumming vibist..haha) I have been(and still am) always struggling with learning and transcribing changes and I thought I'd start out here with some tips on how to break it down. As Tony's shrink would say: if you have a big problem, brake it down into smaller problems and the big problem will go away.

We've talked about competition on the site for a while now. There are people in both camps. I'm in the middle but not against competition. However like always I'm thinking of everyone on the site and their opinions and thinking about my own and comparing them.

Maybe not a very good title but I can't help it. I've been starting up my practice routine for 2 days now and started transcribing a steve Nelson solo on 'Do Nothing Till You Hear From Me'. It's Blowing me away!! I posted a part of his solo on But Beautiful on the same cd 'Full Nelon' a while ago(see check this out) and the thing that really blows me away is his timing. It really reminds me of Milt, weaving through the changes and swinging like hell.

Long time ago since the last entry.

The glockenspiel is now fully in production and will be our first instrument that can be sold from stock. It turned out a killer instrument, I guess it's the only glock out there to play jazz vibes on ;-)

In the meantime we've also started and are now completing the new entry level vanderPlas Baileo vibe.
This 3 octave vibe uses the glockenspiel frame design and production method which is a very efficient method.

Hey Guys,

It's been a while since I have visited the site and I believe there are so many new members... Man this site is amazing and growing even more and more. (btw Tony congrats and the one year+ anniversary).

The more I do this the more I realize the power of a site like this. The more you talk about things, the more you post, the more you comment, I think, the more you learn.

When you record something with the intent of posting on this site you will work hard on the piece and it will sound your best by the time you get it up here. That's important. We all have to do things to sound our best.

For me it's about my 12th year teaching at the college. Man I think Ed Saindon is going on 20+ something. Maybe even 30!!

It's always fascinating for me to start the year off. I know I have certain stereotypes and I'm always curious to see which ones will hold and if any will break.

You're Practicing Everything.

One of my favorite quotes. My mentor Steve Giordano told me that.

I thought I'd put that out there to see what it means to you guys.

hi all .....

its been a while since ive been on the site. The roots Reggae band that im playing Keyboards in has been travel almost every weekend. We are also goin to be backing " Studio one jamaician reggae legend NORMA FRASER, soon.

Since my wife and i moved down to southern oregon. my musical adventures have been primarily as a keyboardist .. playing B3, clav and other sounds ....also expanding into the use of my laptop on stage via reason 4 for some sampling and LIVE Dubbing....

So I took my usual daily walk, my meager attempt at exercising and a chance to listen to music. Classical music is the most difficult to listen to on the streets of Philly. Those damn trucks. And then the cab drivers and their horns. I wish it was legal to carry and use a shot gun, if only to blow out tires.