No Vibes, but I have never heard anything like this before...
haha...just kidding!!
Ok, now serious.
For all of you just sitting around feeling sorry for yourself that you're not working hard enough according to Tony's standards... Let's do the following...
Record and post a version of you playing a duet with tony's 'Have You Met Miss Jones' duet file -> See the 'check this out link'.
Let's see how many of us post a recording by coming friday. That's a hard deadline! After that we can compare and discuss the tune and all relating or non-relating matters...
Ok, so who's in?
TJ
So I have been listening just recently to the new Christian McBride project, "Kind of Brown," featuring Warren Wolfe on vibes. I had heard about Mr. Wolfe through the grapevine, and then was duly impressed by some of his other recordings. I have to say that there is some very fine "kick-ass" playing on this CD, and I highly recommend it. Warren is already an important voice on the instrument. I do not know him at all, but I assume that a number of you do...I know he was up at Berklee.
I'm pretty amazed about the competition post. It really shows what we've all done here, how we've come together. For me it makes all the work worthwhile.
It's cool to see how open everyone is, from the veterans like Burton and all the way down to players just hitting the scene like Joe Doubleday.
This might be second to us all hanging out in a club somewhere and playing and hanging, but for me it's a good second!
Hi Tony!
I've been messing around with Lou Reed's song Perfect Day and tried to do a jazz interpretation of the harmonic progressions but I got in trouble with the Fmaj and Dm bar.
Am/D7/Gmaj/Cmaj would be a II/V/I/VI progression in Gmaj.
I tried to use a Fmaj scale for soloing over the next two bars F(maj)/Dm as this would be a I/VI progression in Fmaj but this does not sound good.
So maybe you can give me a tip which scale to use on the three bars F(maj)/Dm/E7?
Hey Guys,
I thought I'd start a little discussion/lesson on how to transcribe changes to tunes. As a drummer(or a drumming vibist..haha) I have been(and still am) always struggling with learning and transcribing changes and I thought I'd start out here with some tips on how to break it down. As Tony's shrink would say: if you have a big problem, brake it down into smaller problems and the big problem will go away.
We've talked about competition on the site for a while now. There are people in both camps. I'm in the middle but not against competition. However like always I'm thinking of everyone on the site and their opinions and thinking about my own and comparing them.
Maybe not a very good title but I can't help it. I've been starting up my practice routine for 2 days now and started transcribing a steve Nelson solo on 'Do Nothing Till You Hear From Me'. It's Blowing me away!! I posted a part of his solo on But Beautiful on the same cd 'Full Nelon' a while ago(see check this out) and the thing that really blows me away is his timing. It really reminds me of Milt, weaving through the changes and swinging like hell.
Long time ago since the last entry.
The glockenspiel is now fully in production and will be our first instrument that can be sold from stock. It turned out a killer instrument, I guess it's the only glock out there to play jazz vibes on ;-)
In the meantime we've also started and are now completing the new entry level vanderPlas Baileo vibe.
This 3 octave vibe uses the glockenspiel frame design and production method which is a very efficient method.
Hey Guys,
It's been a while since I have visited the site and I believe there are so many new members... Man this site is amazing and growing even more and more. (btw Tony congrats and the one year+ anniversary).