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Happy -NON- Birthday Joe Doubleday ! (Oops!...)

I had written this post this morning with all my heart... I thougth it was a birthday message... but it was in fact a "Non-Birthday" message! Oops... Sorry JD...

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Right after John Daly, here comes Joe Doubleday!!!

I hope you'll forgive me JoeD and that you'll enjoy that your pals of the site will celebrate this day with you! :o)

You've been such a great member here since you joined! And we are all so happy for you that you'll soon join Berklee!! You deserve it and we were all trusting you!! :o)

Piazzolla "Tanguedia III" chart inquiry

Does anyone know where I can obtain a chart to "Tanguedia III" by Astor Piazzolla? The piece is on Tango: Zero Hour and Gary has recorded it on his Libertango CD. I've searched several online sheet music retailers with no luck, so if anyone has a link to where I can buy it, I appreciate it!

It's one of the Piazzolla pieces that I think I could play on a gig - like Oblivion and a few others.

Music keeps you young - Two cool examples

Recovering from New Year Eve, my men and I, laying on the sofa we discovered that amazing testimony that age, generations, music and energy can truly get together! Just go to this link of the French TV and let it load to choose the best parts: http://videos.tf1.fr/reportages/rock-n-roll-attitude-5598893.html

Raphael, the Belgian "Pappy Blues": from 9:08 to 17:25

Newsweek article: "Jazz is Dead. Long Live Jazz"

Hi All,

In Newsweek online, there's an article call "Jazz is Dead. Long Live Jazz" (see http://www.newsweek.com/id/226331). I'm not sure I can decode a coherent message from the article, but one of the comments seems to be about the friction between jazz's pop/dance music roots and it's art music present (and arguably last 40-50 years or so), and judging the quality of today's jazz vs. yesterday's on the basis of popularity is the wrong approach. It also seems to me that the article does better with "Jazz is Dead" than it does with "Long Live Jazz".

Anouar Brahem – Magical oud… and more

Sorry, this is no vibes... but wow! I went to a concert last night. Anouar Brahem, the Tunisian 'Prince Of Oud' and his pals got us into a beautiful trip.

This great oriental 12 string kind of mandolin has in itself a magical sound. Anouar was accompanied by lebanese percussionist Kaled Yassine. But to complete this quartet, he chose two instruments and players from the north: German Klaus Gesing on bass clarinet and Swedish bassist Bjorn Meyer.