Where's the Tune?
- Read more about Where's the Tune?
- 6 comments
- Log in or register to post comments
This week I didn't practice as much as usual.
Work has been a real bitch and I needed some change to improve my perspective.
So I made it a listening week.
Aside from all the great videos posted at VW this last week or so, I kept being reminded of someone on the site saying we need to listen to other instruments and in particular guitar players. So that's what I did this week. A guitar listening marathon.
The guitar players I listened to were:
Jim Hall
Pat Martino
Bill Frisell
Emily Remler
Steve Kahn
Pat Metheny
Larry Carlton
John Scofield
Robben Ford
Check out Chet's scat solo. I love it. Sounds exactly like he's playing trumpet.
This is a really nice work for solo vibes. Originally written by Hector Villa-Lobos for voice and cellos, this is just one in a series of pieces that were an attempt freely to adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music.
The accompaniment is often just arpeggios, so let them ring. You'll need to mallet dampen the melody at several strategic places. The goal, as always, is to have the piece sound as full and clean as possible. Fullness comes from leaving the pedal down a lot, and cleanliness comes from pedaling and dampening in all the right places.
Dana has a GREAT music room!
OH man, this is pretty incredible. Wait until you check this out.
This lesson will be more valuable after you learn the tune! - Tony Miceli
Here's David performing 'Everything I Love', the lesson will be up soon!
Especially check out the left hand and the counter lines. Think about the harmony and how David is representing it in the left hand. This is a really interesting and great study for all of us. - Tony Miceli
Here are some exercises I was working on the other day. You can stick them into your improvs as vehicles to get from one point to another nicely and create a bit of excitement and change. The first one is one creates the dimished scale but the rest are quite different. I call them "interval scales". After you do them with the half step between each other interval, go back and replace the half step with a whole step, then again with a minor third, Fourth etc...
It's also good for ear training on intervals.
Hope you enjoy.
Here's some great advice from John Piper.- Tony Miceli