I was just playing the piano and realized, I could not dampen single notes while holding the pedal down. But you CAN on a vibraphone! I probably would never have even tried, if I didn't play the vibes.
Barry
If a few people sign up. I'll get online monday and talk about 'Have You Met Miss Jones' for an hour.
Sign Up by leaving a comment here that you'll attend.
In this section we will study and play a tune every week.
In some cases we will have a duet verion to record with or everybody will record a solo version or even a version with aebersold or band in a box. In fact everything is possible. As long as you study the tune and record something.
I hope this is gonna be helpful for a lot of you guys!
TJ
No Vibes, but I have never heard anything like this before...
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Hi there,
I'm practicing the Blues Etude (link below) but I have a problem to analyze bar 35. The chord on beat 4 is a bII9, a substitute dominant, right? But what function is a f d bflat a c on beat 1 - 3 in measure 35? Any help, please? Is it kind of a V13? Any help?
Thanxalot,
Wuestentrommler
http://www.vibesworkshop.com/book/good-vibes/-blues/blues-etude/tonymic…
Here's a really quick and simple 4 mallet version of invitation.
I talk about coming up with a quick version of the tune that fits with the melody, just something to get you going. Here's a version of that. Just really simple.
I would use this if you're having trouble coming up with your own version.
Hi Tony!
I've been messing around with Lou Reed's song Perfect Day and tried to do a jazz interpretation of the harmonic progressions but I got in trouble with the Fmaj and Dm bar.
Am/D7/Gmaj/Cmaj would be a II/V/I/VI progression in Gmaj.
I tried to use a Fmaj scale for soloing over the next two bars F(maj)/Dm as this would be a I/VI progression in Fmaj but this does not sound good.
So maybe you can give me a tip which scale to use on the three bars F(maj)/Dm/E7?
12 kEYS!!!!!!!