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Cheyenne's Waltz first read through. Talk about stiff!!! Oh well, it got better.

Applying the solo vibraphone technique of Dual Function LH over Rhythm Changes with Charlie Parker's composition "Anthroplogy". Gary Burton taught me this technique way back when I studied with him in the 70s at Berklee College of Music. I was revisiting this technique while working on my solo vibraphone book. It's a nice technique that allows us to play two handed lines while also keeping some left hand accompaniment going under the lines. Regarding the concept, we play lines between the two hands.

Improvising with Upper Structure Triads on “Have You Met Miss Jones” – I was working with a few of the students today on utilizing Upper Structure Triads along with one passing/approach note. The extra note can add more possibilities in creating lines as well as adding interesting notes and additional color. For example, the Db triad (with the b6), sounds the 9 and #9 over the Gb Maj 7th chord in the bridge. Most often using only the three notes of the triad can be very limiting. I uploaded the lead sheet along with the USTs that we were using today.

Check out Dewey Square. It's a Parker tune. It's an AABA tune where there's no melody on the bridge, so you have to solo. I did a chord melody on the A Sections. You figure out something for the bridge. I can help if you are stuck. I played it and talked about it here.

Here's another interesting bebop technique related to the chromatic and diatonic approach that I use a lot to embellish simple fragment of scales and arpeggios.
You'll sound immediately jazzy!!
Hope you enjoy.

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Here's an attempt at Tony's H1CH thing. I'm not sure if it's a technically a chord melody because I break up the melody and chords most of the time.