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Hi Tony,

I had a go at this. I should probably practice it more, but I was inspired by Al to post something. I had to simplify a chord or two to play it at this tempo. I also missed at least one chord in the bridge, but I think I kept the time together.

Does anyone remember the story Gary told about this tune from his autobiography? As I recall, George Shearing gave this tune to Gary at rehearsal thinking it would be difficult for him. Lo and behold, Gary was already familiar with the tune and blew through it no problem!

-Tristan

It’s just about playing silence. How to play the silence. The challenge here is to say enough without saying too much. Needs a lot of practice. Phrasing is one of the key.

National Science Foundation contacted me at the fire house in McMurdo Station and asked if I would put something together for International Jazz Day from Antarctica. This was at the end of my shift on 4/25. They said they needed two-and-a-half minutes of recorded music by the afternoon of 4/26. I got off work the morning of 4/26, went straight to the Chapel Of The Snows (where I keep my vibraphone and practice), got four volunteers from the firehouse to hold camera phones while I played.

Pattern 1, complete lesson on scrolling audio.

Matthieu Daudos is a French vibraphone player and a friend. We play together both marimba and vibraphone in the New Jazz Band Project which is a septet of percussion instruments based on Bordeaux area.

Applying the solo vibraphone technique of Dual Function LH over Rhythm Changes with Charlie Parker's composition "Anthroplogy". Gary Burton taught me this technique way back when I studied with him in the 70s at Berklee College of Music. I was revisiting this technique while working on my solo vibraphone book. It's a nice technique that allows us to play two handed lines while also keeping some left hand accompaniment going under the lines. Regarding the concept, we play lines between the two hands.