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I made this with a bass and percussion. I think it's 'groovy'. 
 

It's focusing on one chord, and that's C7. Check it out and Try and play it. I have the groove at 2 tempos a slow one and a faster one. 

And then.... a slow one in F in case any of you guys want to try and transpose it. To the first person, who makes a video of them playing it in C and F, I'll give to free lessons. OFF EXPIRES JULY 1 2024

Here's a second part to the other lesson titled "A Way To Practice Soloing and Comping Together".  
I took a couple other examples about how to practice this. Ultimately, you just do it and try to make music. I know for some of you it won't sound great in the beginning. I always think that if you keep doing it and doing it, eventually you play something good and recognize it and learn from it. Know what I mean???? 

Get to work! 

I am making some Tik Tok MalletKat videos for Alternate mode. (The Malletkat is the pro model of electronic keyboard percussion). So I decided to play some tunes and then I thought I'll notate them as an etude for all of you. 

Can you play it? I left out the pedal markings? Why? Because they are a pain to notate partly. And partly because you can listen to the pedaling of the track and study that and then at the pedaling yourself. I think it's really important to not have it all handed to you. That's too easy. 

This is a newly published etude for Vibraphone by Joke van Dal-Kleijne.

It was very challenging, so it may be a good piece for more advanced players here on the site to work on.  It took me about four months to be able to get through a clean pass recording it.  I'm sure some of you can put it together quicker than that, but it's a challenge, no doubt... as a good etude should be.  You'll learn a lot about mallet positioning and sticking choices.  I did and I've been at this 45+ years.  :)

I love the tune Recado Bossa Nova. My fav part is the Eb to A. What a cool sound. 

I wrote a very detailed (for me) etude with sticking. So you can really see how I think of things. I try to take a very minimalist approach to the vibes (most of the time). 

Notice how the harmony works and there is not a lot of chords. I think this works as a solo piece which means you don't need a lot of notes and chords for a solo piece. 

Hello everyone at vibesworkshop!

I've been working on my marimba skills. 'Carlos' is a composition of mine, which i played with many different musicians. I always wondered what it would sound like on the marimba...here it is! Greetings from Berlin, Franz

Etude No. 33 from my book "Vibraphone Virtuosity Series - Intermediate Progressive Etude, Multi-stylistic

2&4 Mallet studies for Solo Vibes". The most comprehensive vibraphone jazz book, ever written; exclusively

distributed by School for Musical Performance Publications. Order your copy today at -

KingKovins@gmail.com 

I wrote this tune after seeing the majestic, mysterious tomb of the Romantic French poet, François-René de Chateaubriand.

Under a large cross, it is the only tomb on a petite isle just off the beach at St. Malo, France.

A striking vista unfolds around it.

This samba was done with our University of Colorado Boulder Jazz Faculty in Grusin Aud. on campus.