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In day 4, we're reverting back to the original rhythm. The difference here is closed voicings. Notice the nice crunch in the closed voicings. As with the other lessons, keep the articulation nice and short on the eighth note.

Hello everyone, videoclips have just been uploaded to my new Jazz Improvisation channel on YT. More clips related to jazz improv concepts as addressed in The Complete Guide To Improvisation will be added soon. Concepts in the book include Chord Tone Soloing, Tension Resolution, Chord Scale Theory, Chord Scale Application & Practices and Harmonic Practices.

Play along with me and Drum Genius!

This is being translated to Chinese students.

歡迎來到www.vibesworkshop.com，我們正在討論我們的每月一曲Green Dolphin Street，這集我只是要講個小東西，這首曲子的B段（～music～），然後走到Fm7（～music～），好！Fm7的五級（V）是什麼？C7對不對，或是F#（ Tritone Substitute），所以放這些進去，如果你打Cmaj7，後面接個II-V到F#m7（～music～），聽這個！（～music～）ok！（～music～）只是個小撇步，放C7或F#7在Cmaj7後面，如果你聽到有人演奏很有趣的聲音在Cmaj7後面，那就是進下個和弦Fm7之前，接個屬和弦（Dominent Chord），並且你也能夠演奏三全音代理屬和弦（Tritone Substitute），所以我們有F#（～music～），聽起來不錯對不對！！（～music～）ok！希望這對你有幫助。這是個小撇步！

＊三全音代理屬和弦（Tritone Substitute）

Day 3: The two main tweaks in this lesson are in the C7 measures. In M2, there's an Ab in the line, giving it a darker color than just having the A natural. In M6, the C augmented triad is outlined. Many bebop masters use augmented triads all the time, especially Milt Jackson!