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It was great to get into this tune again and realize that the C-section needs more TLC as well as a few other sections. Anyone think that adding a breath mark between critical transitions make sense? I.e.Right before the D section, perhaps?

For me there was a whole study around comping on the vibes. Comping is just Accompaniment. No rules.

So how do you play alternate sticking and comp. Well I use mallet number 1. I tie it in with Mallet number to

I count the sticks left to right.

1 2 3 4

Here's an etude of quarter notes where you should see my concept here.

It's quick and dirty. so sorry about sharps where it would be flats etc. but you'll get the point.