Skip to main content

Language Lesson #1: A Bud Powell Lick

Learning the vocabulary of jazz is one of my favorite -- and, I would argue, most rewarding -- things to do in the practice room. Just like human language, jazz vocabulary allows us to musically understand one another, know how to react to one another, and keep ourselves from saying something stupid. From Monk-ish quirks to the pentatonic idiosyncrasies of Coltrane, jazz history is, in many ways, synonymous with jazz language -- you can see the evolution of the music, the cultural influences, the “family tree” of players, etc.

Making Diminished Chords Easy, Pt. 4 (How to solo over the diminished 1 chord)

Hey everyone,

Here's the last part in my series on diminished chords and thinking of them as dominant chords instead. This isn't meant to be the singular approach when soloing over them, but to be used in tandem with blues sounds, the diminished scale, the diminished 7 arpeggio, etc.

Walkthrough of Diminished Voicings on Vibes, Part 3: Application

Hey everyone!

I’ve got some exciting lessons for the next few months, starting with this series on diminished voicings. These three lessons will really go in depth with how you can creatively voice diminished chords, and how you can use the same shapes on non-diminished chords. Do you know the diminished major substitution? The dominant diminished substitution? The four main alterations of a diminished chord? How to use diminished shapes to play “out?” These lessons will go through all of this with a practical mindset, giving you tangible things to work on.