This is a pretty tune. I talk about the harmony and moving it around.
Hello all,
This is a topic I've been wanting to cover for awhile, and I finally made a video on. I think this is something that jazz education (at least in my experience) hasn't covered enough. It's how, in the key of C, you need to play differently on an E7, compared to a Bb7, compared to a G7, compared to an F7. They all have different scales and extensions that accompany them.
It's not all hard science, but a lot of it is! I heard someone say once that 99% of music is teachable, mathematical facts, and 1% is magic. So learn the 99%!
Hey everyone,
Very excited about finding this one. Been using it a lot lately. Has anyone ever heard of it? I assume I haven't invented it, but I haven't ever heard of it, either, so I'd be curious to hear if anyone's heard this before.
🚨 New Series Alert – Play A Great Rhythm Changes In 3 Months
Over the past few months, we worked through Play A Great Blues In 3 Months, building a complete approach to the blues through comping, guide tones, lines, vocabulary, melodies, and chord melody.
Now it's time for the next challenge:
👉 Rhythm Changes
If the blues is one of the foundational forms in jazz, rhythm changes is the next major milestone.
get sonny clarks chorus down - https://www.youtube.com/watch?v=98vC-bF2AOA&list=RD98vC-bF2AOA&start_ra…
WHAT IS THIS THING CALLED LOVE
chord melody
my simple solo
come up with your simple solo
practice my lick - DO YOU REMEMBER IT?
Check out the attached PDF!
See the attached PDF!
Hey everyone,
Here's part two in this mini-series. In this one, I focus on dominant 13 (#11) chords, explain where to play them, why they exist, and how to solo over them. And, most importantly, why you have to treat every dominant chord you encounter differently, depending on context.
Let me know if you have any questions!
