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Beginners: Double Sticking

Just some stuff to think about with double sticking as well as a way to practice double sticking. 

i do feel that we want to do as much alternate sticking as we can. I know some disagree including David Friedman. So take it for what it's worth to you. But I give you some ways to work on double sticking.

Harmony Without Chords Pt. 3 by Behn Gillece

🚨 Harmony Without Chords – Pt. 3: Chromatic Approaches with Dominant Alterations

In Part 3, we continue working with chromatic approaches to the 3rds and 7ths of dominant chords, but with an important addition: altered tones introduced in the second bar of each dominant. These alterations create stronger harmonic tension and help pull the line more clearly toward the next chord change.

Play a Great Rhythm Changes in 3 Months - Week 4 by Behn Gillece

🎵 Play A Great Rhythm Changes In 3 Months – Week 4

Over the first three weeks of this series, we've built a solid foundation:

• Learning the form
• Internalizing common voicings
• Introducing basic comping rhythms
• Developing a feel for the harmonic movement of rhythm changes

This week, we take another step forward.

👉 We're introducing more syncopated comping rhythms.

15 Week Vibe Course - Lesson 12

Assignments Due

  • Play iib5 V7b13b9 imin(maj7) through cycle of 4ths - post
  • Post Friedman #9
  • Donna Lee Play the whole melody once through and then comp the first 8 bars - All rootless voicings
  • Post a review of the vibe player you found and tell me about it.

Open Closed

  • Talk about Open Closed with dom b13 b or # 9

Assignment

  • Play dom b13 b or # 9 if #9 make sure you put the #9 on top - cycle of 4ths

Tunes

Assignment

  • Donna Lee Play th

Play a Great Rhythm Changes in 3 Months - Week 2 by Behn Gillece

🎵 Play A Great Rhythm Changes In 3 Months – Week 2

Last week, we focused on learning the form and internalizing a set of common rhythm changes voicings. The rhythm was intentionally simple so all of our attention could be placed on the harmony.

This week, we're continuing that approach.

👉 The focus is still harmony, not rhythm.

The written rhythm remains simple because we're trying to build a larger vocabulary of voicings before we start introducing rhythmic comping concepts.

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