Most Popular Lessons

🎵 Play A Great Rhythm Changes In 3 Months – Week 14

We've made it to Week 14 and the final lesson in our Play A Great Rhythm Changes In 3 Months series!

Over the course of this series, we've worked through rhythm changes from a number of different angles:

• Common four-mallet voicings
• Comping rhythms
• Guide tones and 3rds & 7ths
• Bebop, diminished, and chromatic vocabulary
• Chord and scale outlinings
• Substitute harmony
• Longer melodic phrases
• Transposition and register considerations

Keep in mind, since making these videos, I now play the Dmaj 7 in the 7th bar. I got schooled by David Friedman for doing it the Bill Evans way and now I love the Dmaj7 and know the history of the tune! 

Dampening and Pedaling

Check out the attached PDF!

Modes with starting notes D, A, Gb and B.

In this section, we continue with the F#7–B7–E7–A7–D7–G7–C7–F7 progression in measures 1-4, but with a simplified rhythmic approach. Rather than relying on continuous eighth-note lines, this version demonstrates how to outline the changes effectively with more space and varied rhythmic phrasing.

Minor Vamps Pt. 1 by Behn Gillece

Check out the attached PDF!

Check out the attached PDF!

🚨 Tune Deep Dive: “Wave” – Pt. 5: Scale and Arpeggio Options 🚨

In Part 5, we focus on outlining Wave with scale and arpeggio shapes. Each chord in the A section is approached with either a diatonic arpeggio, a scale fragment, or a tension tone (like ♭9 or ♯11) to bring out its unique color.