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Create Your Masterpiece

I think Joe Locke talked about creating your masterpiece or chipping away at it in one of his lessons.

I think we should always be creating our masterpieces, that is playing something where we're creating a final product of some sort. If you're not doing that, then I don't know how you're going to grow.

From a Half Step Above

Man I listened to some Bud a while back and it got me hooked on the sound of going to the one chord from a half step above. Like Db to C. I love that sound and have been pulling it out all over the place. It's pretty cool. It's sort of like getting to the tri tone sub all the time.

Then I played a little gig with John Ellis (sax) over the weekend. And man he is a line manipulator! Being in that frame of reference and then listening to him was a great experience for me. It gave me so much to think about. It's kind of like being chromatic in a diatonic way. Does that make sense?

Yo All you Boston People

A friend of my Michael Varner is coming to Boston. He wants to meet up with the following. (He teaches down in Texas I think at University of Arlington.)

First, Jazz vibraphone, its teaching and performance skills.
Second, world music, specifically examining performance ensembles and ethnomusicology classes.

Of course I recommended Ed, and then said to check out if Victor has a Latin Ensemble at the school.

Crowdsourcing

Hi Tony,

I've been thinking about the problem of the amount of labor it takes to run this site, and it occurred to me that we could probably help you out with some of the non-vibes-playing aspects of maintaining things. I don't know where your main time sinks are, but if they could be broken up into discrete, unrelated chunks, then the members could volunteer to do the tasks for you.