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🚨 Play a Great Blues in 3 Months – Week 8

Over the past few weeks, we’ve been building lines using real jazz vocabulary—starting with guide tones, then expanding into phrases drawn from players like Milt Jackson.

This week, we focus on one of the most important elements of that language:

👉 Chromaticism

These lines are built using phrases from Milt Jackson transcriptions and other bebop sources, but the main idea is how chromatic notes connect and shape the line.

You’ll hear:

🚨 Play a Great Blues in 3 Months – Week 7

Over the past couple of weeks, we’ve been working with phrases drawn from Milt Jackson’s vocabulary, building full choruses from short melodic ideas.

This week, we continue that approach—but with a specific focus:

👉 Using augmented triads over dominant chords

You’ll notice that certain moments in the chorus highlight the sound of the augmented triad (1–3–#5), giving the lines a bit more tension and forward motion.

Friedman 15 Pedaling Etude

Friedman Pedaling Exercise 

🚨 Play a Great Blues in 3 Months – Week 6

So far, we’ve been developing lines using guide tones—focusing on 3rds and 7ths to clearly outline the harmony.

This week, we take that idea one step further.

👉 Instead of creating lines from scratch, we’re working with real vocabulary drawn from Milt Jackson transcriptions.

I’ve taken a few short phrases and used them to build a full chorus etude, showing how a small idea can be developed across an entire blues form.

Friedman 12 (under tempo)

Here is my third set of videos.

https://youtube.com/playlist?list=PLp2ia_j36ngYAoCo7CwyL59t8eUzpKyNm&si…

🚨 Play a Great Blues in 3 Months – Week 5

So far in this series, we’ve focused on building a strong comping foundation:

• Guide tones in the left hand
• Smooth voicing movement
• Consistent time and rhythm

This week, we shift the focus toward line development.

👉 Using 3rds and 7ths, we begin outlining the blues with single-note lines, helping you connect harmony in a clear and musical way.

🚨 Play a Great Blues in 3 Months – Week 4

Up to this point, we’ve stayed in F and focused on building a strong foundation:

• Clear guide tone movement
• Controlled upper voice motion
• Consistent Charleston rhythm

This week, we take a big step forward.

👉 We move to the key of B♭, one of the most common blues keys.

Friedman 10 Dampening