Subscribers

Here matt.

so you have to practice it and post your version here since i did it for you :-).

can anyone beat him?

This is a demonstration/lesson about harmonizing the blues scale to create chord solos. I hear this a lot in piano players and big band writing. It can be a little tricky to move chords around on the vibes quickly, but it works pretty well using simple lines from the blues scale.

Attached are two pdfs, one of the demo I play at the beginning and the other of harmonizing possibilities for each chord. I would welcome your ideas/suggestions as I am still working on this concept.

Please see the attached assignment and do the 8 bar exercise at the end! I'll be checking again at the end of the week :)

Today I showed up at AJR Metal Works parking lot (Dallas) for an impromptu concert to demonstrate and play a couple pieces for the great employees who helped machine parts for my two vibraphones - USA Vibe and Antarctic Vibe. This (obviously) is my USA vibe. At one of many visits to have parts made, I often heard that the employees rarely get to see the finished product and enjoy the fruits of their labor. So, I decided that when this vibe is ready to play, I'd drop in on them.

After viewing the video, check out the attached PDF. See where you can apply this great sound to the study tune I created. Post your results by Friday morning and I will check in :)

From Vibraphone Technique: Dampening and Pedaling (Revised Edition)

Chinese translation is for Chinese students
這邊講到如何在四個音的和弦上，只移動一個音，就可以換到下個和弦。
打開PDF，看到第一行，是最基本的2-5-1-6的和弦進行。
從Aminor7中，移動5音（G）到下一個和弦D7的三音(F#)。
然後第二小節Gmajor7的根音（G）移動到下個和弦E9的三音(G#)

依此類推，你可以看到下一行也是用這樣的方式，
只移動一個音到鄰近的音，但是整個和弦聲音都變了。

甚至是第三行，就算在同一個和弦上，我們也可以移動一個音，改變和聲配置，
讓你在Comping時，更多選擇可以使用。