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nice bebop lick

HELLO EVERYBODY. I AM FINISH (FOR NOW) MY PRACTISE ON COMPING IN ALL KEYS AND I START 2-3 WEEKS AGO CHORD SOLO AND SIMPLE BEBOP LINES IN ALL KEYS IN DIFFERENT PROGRESSIONS. SO FOR MY PRACTISE IT CAME THIS LICK. I THINK SOLO IN ALL KEYS IS VERY IMPORTANT SO I WILL CONTINUES PRACTISING FOR 2 MORE MONTHS, UNTIL MY BRAIN IS DESTROYED...
I WILL POST AUDIO OF MY WORK UNTIL KNOW.FOR NOW I AM STUCK ON CHORD SOLO IN (ALL POSIBLE) PROGRESSIONS...

THANKS
DIM

Entertainers vs. Artists

Hi All,

The recent discussion around Tony's post about Jason "Mallet Man" Taylor has me wondering what people here really think about the balance between letting the music speak for itself and showmanship.

In "check this out" I've put three performances with contrasting levels of showmanship and art. Two are way on the showy side -- Jason Taylor and the Ian Finkel performance on "History of Mallet Instruments". The third, Elio Villafanca, is what I would consider to be the standard "here's the music" style.

Not a Beautiful Friendship

Man I've been working on the tune Beautiful Friendship and it's kicking my ass. The melody, and the phrasing feel really unique to me. And I'm trying to play the tune right down the middle and it's really really hard.

I'm finding I have to kind of study all the spaces in the tune so I can play the melody right. Next the tune's second A doesn't resolve which is a little unusual. And sometimes I want to resolve it just like the last A!