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Hi everybody,
today I'd like to show you my personal version of Autumn Leaves. Make sure to download the attached pdf before watching the video so you can follow the reharmonization.
It's arranged for my project called D.O.V.E. (drums organ vibes ensemble).

www.giovanniperin.com

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Clip of "Autumn Leaves" exclusively improvising with Four Note Groupings recorded for my Berklee improv classes this summer. The concept is in Volume Two of The Complete Guide To Improvisation. I uploaded the lead sheet listing the 4NGs that I am using in the clip as well as excerpts about the concept from volume two of the guide. The book excerpts include a page about the concept, what 4NGs are available according to chord types and the table of contents of the concept. It's a concept that I love to play and work on for myself and with students.

Quick overview of the discrete skills needed to play efficient strokes and shift. Each skill can be meditated on repeatedly for many hours and spiraled into your sessions at every stage of your career. I still pick up on new sensations throughout the arm and torso that I didn't recognize before.

Hi vibes lover today I will show you some typical reharm for Autumn leaves based on chromatic IIm7-V7 progression. Those changes are taken from the bebop era.

Hope you enjoy

www.giovanniperin.com
Follow me
★ facebook https: //www.facebook.com/giovanni.perin/
★ instagram: https://www.instagram.com/giovanniperin/?hl=it

Download the attachment for more information, notation, and context

Traditional African Dance:
https://www.youtube.com/watch?v=qOlgMgZkAQQ

J. Leake books, CDs:
http://www.rhombuspublishing.com/master_drummers_west_africa.html

"Misty" - a little quick video that I recorded for an online private vibe student I was working with. We were working on solo playing using voicings as the basis of the solo interspersed with runs. The voicings are comprised of open and closed voicings usually connected by a melodic line in the top voice. It makes for a full sound and nice groove.

Alright folks-- I make some egregious note errors here, but I comment on them and resolve some important choices that have been performed wrong in the past. So through error, a contribution.

I'm mainly talking about measure 50-- because an E natural is marked once, that leads me to believe that the residual Eb on third beat, third partial should be respected and played literally. NOT as an E nat.

Similar situation at 76 and 77, I respect the literal printing because of the included courtesy accidentals at the end of each measure.