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Applying the solo vibraphone technique of Dual Function LH over Rhythm Changes with Charlie Parker's composition "Anthroplogy". Gary Burton taught me this technique way back when I studied with him in the 70s at Berklee College of Music. I was revisiting this technique while working on my solo vibraphone book. It's a nice technique that allows us to play two handed lines while also keeping some left hand accompaniment going under the lines. Regarding the concept, we play lines between the two hands.

Improvising with Upper Structure Triads on “Have You Met Miss Jones” – I was working with a few of the students today on utilizing Upper Structure Triads along with one passing/approach note. The extra note can add more possibilities in creating lines as well as adding interesting notes and additional color. For example, the Db triad (with the b6), sounds the 9 and #9 over the Gb Maj 7th chord in the bridge. Most often using only the three notes of the triad can be very limiting. I uploaded the lead sheet along with the USTs that we were using today.

This is a difficult one.

Again I left the chords out. Get the real book out and write in the changes so you in some small way begin to think about the harmony. Look at the notes and enter the chords.

Can you see the different keys this goes through? Thanks to Bach and the Well Tempered system of tuning, or I think this tune would sound terrible in Midieval tuning! :-).

Play it slowly and work it up.

One of the best swinging 4tet where Milt is pushed to his limits and offers some of his sharpest solos. Same thing applies to Joe Pass. All due to the incredibly good rythm section. There's a lot of this team's work on YouTube. Enjoy !

Here's what you do with this.

write in the chord names with the alterations.

memorize the voicings.

play them, add rhythm.

start changing the inversions of some of the voicings.

make a solo based off of the chord tones of the voicings on the sheet.

what notes would you stick in between as passing notes?