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Did I post something like this recently.

I'm so busy I can't remember! But here's another one!

This is a recording of my new marimba solo piece, Charlie Chaplin, performed by the wonderful young marimbist, Ayami Okamura. We did this at my house. We plan to do a more professional recording in the middle of October.
I love her groove, a quality missing in too many classical marimbists.

I know i know guys we are metal freaks and not that much into that wooden stuff. BUT ! ... we can learn a lot from those marimba prodigies that bloom up years after years.
Adélaïde Ferrière is the new french star of the marimba. She is a concert player yet at the age of 20 and plays percussion as well as she plays marimba. She already won few awards in France as best young classical player ... And by the way who said Burton’s grip didn’t fit to marimba ?

Coltrane. ... Again and again ...

I've always loved this tune but never learned it because I thought it was so difficult, especially after hearing so many gorgeous versions by Bill Evans. It's not only about playing the chords, but moreover about CONNECTING them and phrasing the melody; always a tremendous challenge on the vibes! So, I started working on it about a month ago, never satisfied with the way I was playing it. (I'm still not, by the way!)
So, here's a work in progress. Comments from the community are welcome!

Peter Weniger and I did a reading of the piece, originally for solo vibraphone. Basically Peter plays the melody and I try to leave out certain phrases that were written in the solo version to avoid too much information. This varies from the written solo because we deviate from the written out solo and improvise a solo together. It's not perfect, which I kind of like but I dig the feel.

This is an arrangement of Peace with the melody in the bass. It works surprisingly well and opens up some interesting possibilities for the harmony.