"Here's that rainy day"
This is a quick mini-mini-concert because I only recorded one tune. Had to run after the recording.
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This is a quick mini-mini-concert because I only recorded one tune. Had to run after the recording.
"Hark! The Herald Angels Sing" by Felix Mendelssohn - A solo vibraphone rendition of this classic for the holidays. Here's my take on it with some "off the cuff" theme and variations as well as a little counterpoint. Hope you enjoy it. Happy Holidays!
hey, sorry i'm late...
i did:
folks on the hill
lulu swing
and xmas time is here
except with folks on the hill, i tried to play songs that i've never played live in a solo version so i have nothing arrangend. that makes it more challening to me.
critic meeee... ;)
“On the Sunnyside of the Street” - one of my favorite standards played here with a nod to the great pianist Art Tatum. There was a period when I was heavily into pianists like Tatum, Teddy Wilson, Fats Waller, Earl "Fatha" Hines, Dave McKenna and Dick Hyman. All masters of the piano and where I got a lot of inspiration.
Here is my December 2018 Mini Concert performed on my Deagan 580 (narrow bar) Vibraharp. I made two versions with different mallets. The posted version is with Tony's soft 46Rs. The attached version is with Mike Balter 23Rs.
Two songs, You're Nobody Till Somebody Loves You, and Moonglow. 2X each. Love to play the Omega when I get the chance.
Common chord progressions
Improvising on “All The Things You Are” using chord tone soloing along with one tension. For the Major and Minor chords, I’m using only tension 9 and either 9 or b9 for the Dom 7 chords. In most cases, I’m using the b9. The improv can also incorporate other tensions like the 11 and 13 as well as diatonic and chromatic approach notes. This is a fundamental and valuable improv technique covered in Volume One of The Complete Guide to Improvisation. The concept allows us to clearly sound the changes since most of the notes are chord tones.
Common chord progressions
"Be My Love" - I had first heard this song on one of my favorite recordings from pianist Keith Jarrett titled The Melody at Night, With You. It was written in 1950 by Nicholas Brodzky and Sammy Cahn for the movie The Toast of New Orleans.