Chinese translation is for Chinese students
常常我們在Comping時，會限制在一個和弦只有一種voicing(和聲配置)
但是如果能在一個和弦上找到不同的voicing，並且是有和聲進行（Harmonic motion）的，會讓comping聽起來更豐富。
可以看看PDF檔中，Behn的例子是用藍調(Blues)來說明這個“互換兩個和聲配置”（Alternating two voicing）
熟悉了之後，可以開啟節拍器，按照速度演奏，再自己加上一些節奏感，這會是很好的練習。
"Smile" written by Charlie Chaplin in 1936 for the movie Modern Times. Always loved this song. It's been recorded many times by vocalists and instrumentalists. Here's my twist on this classic. I'm alternating with the I Maj chord (3rd in the bass) and a Dim Maj chord. Also alternating between the keys of F and Ab.
hi, long time ago i posted anything on the site...since gary burton retiered a friend playing piano convinced me to start a duo and keep the music of chick and gary alive...man what a task!
here´s me practicing children song 6 with the midi piano track...not perfect but almost...like always...there´s more to come
tarik
Hi guys!
Recently, I have been working on how to manage the space in sound playing ballads.
playing in duo with a bass player is a great exercise for that.
we recorded an old tune :"The folks how live on the hill" sings usually by Peggy Lee.
Hope you will enjoy.
Cherokee - this morning's practice focusing on playing 8th note lines using mostly alternate sticking.
One of my favorite songs from Pat Metheny. A lovely song beautifully played by Pat. The album "Letter From Home" is also one of my favorites from Pat and his group. Here's my take on it. I was going for a subtle version with restraint and a focus on playing counterpoint using dampening. When Pat was playing with Gary in the 70s, I remember going to Gary's office at Berklee and many times seeing Pat dabbling on the vibes. He sounded good too!
Fairly easy drive into Boston this morning so I had some practice time before class. Warming up with a bluesy version of Duke Ellington's "Don't Get Around Much Anymore".
A brief snippet of Chord Tone Soloing over "The Days of Wine and Roses". One of the first topics that my students and I work on in my Berklee improv class. It's a basic but important and fundamental technique to have down. Some of the things we focus on include connecting the chords, use of motives, phrasing, feel and sound. All crucial musical elements needed to make it work. All of this is addressed in Volume 1 of my improv series The Complete Guide to Improvisation.
“ALFIE” – composed in 1966 (for the movie of the same title) with lyrics by Hal David and music by Burt Bacharach. I’ve always been a fan of Burt Bacharach’s composing and of this song which has a beautiful and memorable melody, poignant lyrics, unusual and interesting harmony and an odd bar form. There are many fantastic versions of this song recorded by vocalists. From pianists, one of my favorite version is from Bill Evans. Bill’s lush voicings, sense of harmony and touch is impeccable. Brad Mehldau’s version with his trio is also excellent.