Here's the more philosophical stuff.
I'm thinking the next vibe hang could be July 26th. Who wants to play on it??
(Still working out some details)
We're in our second lesson with 'Take the A Train' in our tune group. I'm psyched and hoping that people stay interested in this. I think it would be pretty cool to have someday 10 or 20 of us working on a tune all together.
When I practice it takes me a good hour before I can really start to get somewhere. It seems like for me that that first hour doesn't really even count although i have to do it to get past everything else. Get past what? The day, the crap, the business, the other side of the brain stuff.
I think of that and I want to pass it on. I can't imagine I'm unique, most of us must have this buffer that we have to get past. It's probably important to find out where your buffer ends and make a note of it.
I'm thinking about how to do a day online in August where maybe different vibe players do concerts all day online. I think we would need about 6 or 7 people, start at noon on a Sunday and go until 6 (Philly time). That should get most of us in there. Each of us would play about 45 mintutes.
Any ideas or takers? It would be the first online Day of Vibraphone!
first of all, i can´t say enough thankyous to nico and tony for such a great weekend. the workshop for me was more then great and bet it was for everyone who was involved.
Man I've been here practicing for the last few hours. I'm working on stuff I worked on yesterday and I'm realizing once again how important consistency is.
I'm seeing what I did yesterday flow a little better today. It's really exciting and always has been.
That's why I just want to mention about this. Make sure you're setting aside time each day, or most days. You need that consistency to get better.
Just taking a 5 minute break to pass on my 2 cents.
I wanted to address something that I have struggled with for a long time- attaching my self-esteem to my ability to play. I have always struggled with technique and regular practice habits, mainly due to the incessant self-flagellation I inflict during the practice sessions I manage to put together. Plus, part of me feels like if the music business is as bad as everyone says, why spend my time learning to be a great vibraphone player only to be damned to eternal penury playing door gigs in generic jazz quartets?
Greetings Vibes people
this site is great! I had no idea so many people are involved in playing mallet instruments. I am having a good time reading thru what is here.
I play a 1979 Deagan #594 vibes with Serna pickups. I love this instrument, and have never lost (1) pickup ever. It sounds great, I like the bar sizing and it has held up to a rigorous life, from world tours in road case to it's local rustic Suburu roadcase.
more soon!
thanks
ed
Lionel Swinging!
Hi All,
I play regularly with a few drummers who can't read music, one most of the time and a couple of others on a fairly regular fill-in basis. I've been trying to get us to do some more formal arrangements of tunes -- nothing terribly complicated, just some accent points and rhythm breaks, added interludes and the like, although I'd like to get more complicated. I've been having trouble communicating these things to the drummers though.