Blues for J Lesson
Just talking about the tune and ways to play it. Come up with your version!
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Just talking about the tune and ways to play it. Come up with your version!
The audio and the pdf is attached.
I tried something new and talked through the piece. Is this helpful?
Print out the pdf to not only practice but for notes with the video.
This etude goes through the same chord changes as Blues for Alice. One thing to keep in mind is that when playing this etude with the additional ii-V-I's, figure out all the other tunes you can use these lines on. Also, try it in different keys!
Here's another dampening etude. We change keys here, Bb, another very common blues key. Some of these lines actually work great not just as bass lines, but solo lines! You can hear players like Hank Mobley occasionally playing these bass type lines.
This is a solo vibe piece Tony Miceli commissioned me to write for him. Let me know what you guys think! These are the program notes I wrote for the piece:
This piece was written in April of 2024 upon commission from Tony Miceli, professor at Temple University in Philadelphia, Pennsylvania. While taking private lessons with him, we began experimenting with timbral effects on the vibraphone, and one of my assignments was to write a solo vibraphone piece surrounding this idea. Thus, this piece was born.
In this etude, the quarter note remains consistent like an actual walking bass line. The challenge in this exercise is to keep the pedal down and the dampening smooth, making sure no notes ring together. Work on getting a really nice legato sound!
Check out the attached PDF!
Cool lesson. It turns into an etude once you get the chords down. Spend some time on this!
https://youtube.com/playlist?list=PLhbfGYiAFwxEZkOG10R8-_ZUIS8KtLK4j&si=Ja1iv4U04V7HMwCS
This playlist has Freidman 14 and a slow solo that Tony recorded for my lessons on Donna Lee. My job was to transcribe in Ab then transpose to C from memory. It was a tough one!
In this exercise, the line is a little closer to a walking bass line with quarter notes. Keep the notes legato, and shoot for keeping the pedal down as much as possible with clean dampening in between the notes. Check out the attached PDF!