Lesson

https://youtube.com/playlist?list=PLhbfGYiAFwxEZkOG10R8-_ZUIS8KtLK4j&si=Ja1iv4U04V7HMwCS

This playlist has Freidman 14 and a slow solo that Tony recorded for my lessons on Donna Lee. My job was to transcribe in Ab then transpose to C from memory. It was a tough one!

In this exercise, the line is a little closer to a walking bass line with quarter notes. Keep the notes legato, and shoot for keeping the pedal down as much as possible with clean dampening in between the notes. Check out the attached PDF!

Friedman Etude 9

Hi everyone!

I'm doing a short series on dampening. In these etudes, we're using walking bass lines as a way to work on dampening. Most of these exercises are pretty simple, and a lot of fun! Try them out and see how well you can keep a legato feel throughout. And of course, check out the attached PDF! 😀

Check out the attached PDF!

I made this with a bass and percussion. I think it's 'groovy'. 
 

It's focusing on one chord, and that's C7. Check it out and Try and play it. I have the groove at 2 tempos a slow one and a faster one. 

And then.... a slow one in F in case any of you guys want to try and transpose it. To the first person, who makes a video of them playing it in C and F, I'll give to free lessons. OFF EXPIRES JULY 1 2024

You know what, to be very frank and mildly funny, the big boys and girls can play good 2 5 1 voicings.

Well rounded players can do all this stuff. You can tell how well rounded a player is by listening to them play a standard and comp. For whatever that is worth. I imagine if you are a blue grass vibe player and that's all you care about then you're not worrie about this etude. But if you want to be a decent jazz player this stuff I think is important. 

Real simple, play this etude. Make it sound good. Look at the music, I put in some of the changes. you should be able to figure out the rest. 

After you figure out the cords, look at each bar and add all the upper partial so you know it's being played. A lot of these voice things are rootless voicings.

I didn't use a bass track because I want you guys to hear the harmony work all on its own without a bass so you can see that these are rootless  and that they work even if you're playing only Vibes or maybe Vibes and singer or Vibes in sax any of those combinations.

Check out the attached PDF!