今天要講的是oleo
首先第一個步驟就是要練好head（主旋律）
看似很簡單，但是其實蠻困難。
要不失去swing，並且對到節拍器，其實不容易。
這也可以是個很好的對節拍器warm up的小練習。
你的任務就是要開啟節拍器，試著練習好幾個星期，用不同的速度（tempo）練。
像是很快的速度其實難度很高，但是這個練習會對你很有幫助。
Are you sick of rhythm changes yet? Here's some relief if you are!
The last mini-lesson I posted on VW seemed to raise more questions than it solved... Ok that is cool, the idea is to explore many things and try to get better. We all need to do this, and it never stops as a player. It's a constant journey.
In the Coltrane lick I had been working on, I suggested a double sticking that some of you pointed out was actually a triple sticking. So I had to look into that, cause I wasn't even slowing it down enough to realize I was doing that, and upon further review, it is not something I would actually recommend doing.
Some tips on simple soloing over rhythm changes.
Some ideas on what to think about when comping underneath the melody.
Here's pt. 1 of comping. Keep it simple and tasty!
Further ideas about playing over a minor IV to I resolution in jazz.
-Tyler
Pick the right melody, it doesn't have to be hard!
Check out this etude. Study the chords and write in the names with the alterations. Then play the etude. It will get you moving around and weaving through the changes. Work up the speed a little bit, and transposing in one other key will go along way.
The etude PDF is attached.