I am on the cd label Steeplechase now and I have become buddies with the owner. We are having amazing talks about his recordings that go back to 1972. Lately it's been of Walt Dickerson. He sent me this picture of Walt from his solo…
🚨 Harmony Without Chords – Pt. 4: Adding the ii ChordIn Part 4, we expand the harmonic framework by introducing the ii chord before each dominant, turning the previous dominant-focused ideas into full ii–V motion. This adds harmonic depth…
gloria krolak 27 December 2025Hey Everyone,In case you haven't heard, Chuck Redd, an extraordinary vibraphonist/drummer from the Baltimore area, has taken a very strong stand against the illegal renaming of The Kennedy Center. As…
Looking for vibraphone with an E below middle C.
I remember Gary Burton talking about Musser experimenting with an extended range vibraphone .
Also I know Vanderplas made some.
The 4 octave Bergerault is too much (range and price!)
What with buying mallets online and given the wide variety available (Steve Weiss lists 200 vibe mallets) and the expense, I find it difficult to know what to choose. I see some reviews posted on the Weiss site about shafts being too long…
Here's a very important exercise to help with chord voicings. Don't skimp on this one. Spend months on this!!
Chienese translation for Chinese Students
開離密集和弦練習(open and closed voicing)
好處:幫助你暢通無阻的演奏各種不同轉位的和聲配置(voicing)
因為練習那些位置上,…
🚨 Harmony Without Chords – Pt. 3: Chromatic Approaches with Dominant AlterationsIn Part 3, we continue working with chromatic approaches to the 3rds and 7ths of dominant chords, but with an important addition: altered tones introduced in…
I think, I heard Gary Burton at the vibe hang talking that he had once cracked bars.I got 4 cracked bars from a vibe player who mostly used the old allbright mallets and he likes to play with a lot of dynamic.On my website I have fotos of…
Hey guys, in this lesson I introduced a new thing - chromatic approach note from above So whenever you practice intervals, triads, 7th chords, you can add the approach notes either above the target or below the target. DM me for…
🚨 Harmony Without Chords – Pt. 2: Chromatic Approaches to 3rds and 7thsPart 2 expands on the guide-tone focus from Part 1 by introducing chromatic approach notes to the 3rds and 7ths of dominant chords. While the targets remain the same,…
Check out Paul's site: https://www.wyndorps.de/index.htmlJust look at the pictures and know that he has made all of these 'contraptions' for the vibraphone. He is incredible and you guys should know about him.
🚨 Harmony Without Chords – Pt. 1: Diatonic Approaches to 3rds and 7thsThis lesson kicks off the Harmony Without Chords series by focusing on one of the most essential ideas in line construction: clearly outlining harmony using guide tones…
🚨 Playing in 3/4 – Pt. 10: Tune Study – “Little B’s Poem” (Advanced Comping)Part 10 builds on the previous comping chorus by introducing more syncopated rhythms, tighter voice-leading, and additional chord-tone alterations throughout the…
The procurement and bending of aluminum has become increasingly expensive in recent years. Therefore, I decided to make another folding frame for my M55 bar set, this time using mostly 3D-printed components.During my tests, I found that…
🚨 Playing in 3/4 – Pt. 9: Tune Study – “Little B’s Poem” (Comping Chorus)Part 9 shifts from melodic ideas to full-chorus comping, applying everything from earlier lessons to the harmonic and rhythmic language of “Little B’s Poem.” This…