Today was awesome!!! After about 4 hours of sleep and a huge breakfast I hit the road for Philly. With only two wrong turns I was about 5 minutes late.
Today started out a little rough, only got about 3 hours of sleep and had to run off to music theory, mail my application for that whole composition thing and then I ran down to the local drum store to pick up some mallets (Balter 23Rs, after seeing them in his product video). I was able to practice for quite a while today, finished really getting into Billie's Bounce and I started into Tony's lesson on Take the A Train but didn't get to far in. I still need to run through all the books sometime to double check I didn't accidentally throw something in the wrong folder.
Here's another lesson, that was in the reject pile. But maybe it will be of use to someone. Sort of a reminder lesson.
This should help your vibe playing!
Hey guys, here is a lesson on playing upper structure triads on "My One and Only love". Using these triads will show how easy it is to think about upper structures of harmony.
I also demonstrates a way of thinking about chords and triads instead of using scales to create melodic improvisation.
The first part is a demonstration of the melody focusing on the upper structure triads.
The Second part is an explanation of the chords.
The third part is an explanation on improvising over the chords.
I have been doing a little work in the books over the past week just to get accustomed to everything and see what all is out there. Started today out a little earlier, I decided to keep up on my AP Music Theory class this week which starts at 7:45 so I was able to get home and start working by 9. Tony played with some settings and blocked everyone out of the settings from around 11:30-2 so I had a nice little lunch break and some time to finish learning Billie's Bounce. I was about 2/3 of the way done with the books was when I was blocked so it was pretty easy to come back and finish it.
I know this guy but can't think of his name.
EVERYTHING this man (tony) does is top notch. Every time he plays the vibes, great music happens. So, why the hell isn't Tony written about in ALL the magazines, booked with top paying gigs and so busy performing that he'd have to hire out his vw site to someone to run for him? I know things are picking up for him but I have a theory that the reason he's not more "important" in the biz is because he hasn't got the "wave" going yet. It really pisses me off when people have to be told how good an artist is in some magazine or on some endorsee list before people can trust their own judgement.
Last couple of weeks we have been working hard to set up the "sales environment" for the gigVibe.
People were asking us for affordability of the instrument, and the availability of several ranges.
So we cut down even more on costs on this instrument, and by adding options you're able to configure the instrument exactly to your needs.