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Ed Saindon - Fulcrum Grip

This is something I've been working on since moving to Boston and studying with Ed. There is an article from PAS that somebody has posted on here already that explains the mechanics of Ed's fulcrum grip but this video really shows it in action.

Make sure to watch the whole thing... everything is shown with multiple camera angles.

James

Bill Evans Trio with Larry Bunker

This is just so good, I had to share it. And with Larry Bunker on drums, who of course was also a great vibist.

I continue to find wonderful historic jazz performances on YouTube. It's an amazing resource in that regard. If you want more, there are a lot of great clips linked as favorites on my page: http://www.youtube.com/VibraphonicMusic

SS

Tom Beckham Trio at Bar Next Door Sat 4/4/2009

Time

The Tom Beckham Trio will be performing at NYC's The Bar Next Door
Saturday April 4th, 2009 7pm-10pm
with:
Matt Pavolka - bass, Tommy Crane - drums

129 MacDougal St New York, NY 10012
Tel: (212) 529-5945
http://lalanternacaffe.com/

If any mallet players are around the nyc area tomorrow night, please stop by and have a glass of vino and check the music out. I'll give a free CD to any vibe player that shows up. If you stay long enough you can check out Lage Lund's trio afterward.

Classical Vibes

I just saw this on YouTube and it reminded me of my interest in learning and hearing other classical tunes for the vibes.
http://www.youtube.com/watch?v=HmGgSUBldAs
(As a side note, notice he picks up a 5th mallet at 4:18).

I totally dug Gustavo's Partita video.
http://www.youtube.com/watch?v=LMfiNbqrzYE

Gustavo, was that a literal transcription or did you have to modify the original to fit the vibes?

I'm glad this site isn't called JazzVibesWorkshop and maybe other folks would also like to work on classical pieces with me.

Communicating with drummers who can't read

Hi All,

I play regularly with a few drummers who can't read music, one most of the time and a couple of others on a fairly regular fill-in basis. I've been trying to get us to do some more formal arrangements of tunes -- nothing terribly complicated, just some accent points and rhythm breaks, added interludes and the like, although I'd like to get more complicated. I've been having trouble communicating these things to the drummers though.