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Remember the V Chord!

I'm guessing my backyard is getting a little old at this point.
But here is Simmer by yours truly.
Steve Roehm Vibes and the Bates brothers.

Hey hey,

On Monday, March 8th at 7 PM EST there will be a pop-up class where everyone will play for each other and give feedback. We can also discuss any topics, no teachers! Post yourself playing the tune so you can join if you haven't already. Not too late!

Link to join: https://bit.ly/vibintime

Meeting ID: 813 9049 5531
Passcode: 349960

This is my transcription of Sonny Stitt's recording of the great standard. He plays some beautiful lines on melody and solo I get slightly ahead at times and thats a learning curve in itself, Ive learned so much from this project. Thanks in advance for listening.

If you haven't, please check out some of my previous videos about the turnaround cause this is going to be an advance lesson:

Triton Substitutions:

| BbMaj7 | Db7(triton of G7)| Cm7 - B7 (triton of F7)|
I bIII7 IIm7 bII7

| BbMaj7 | Gm7 (G7) | F#7 (triton of Cm7) - B7|
I VIm7(VI7) bVI7 V7

| BbMaj7 | Gm7 | Cm7 | F#m7 (IIm7 of B7) - B7 (triton sub for F7)|:
I VIm IIm7 bVIm7 bII7

Here are some common sub for the turnaround:

|BbMaj7 | Gm7 | Cm7 | F7 |
IMaj7 VIm7 IIm7 V7

sub Gm with G7 (Secondary dominant of Cm7)
| Bbmaj7 | G7 | Cm7 | F7|
I Vi7 IIm7 V7

2.Alter the chords
| BbMaj7 | G7alt | Cm7 | F7alt|
IMaj7 VIalt IIm7 V7alt

3.sub BbMaj7 to Dm7 (IIIm7)
| Dm7| G7 | Dm7 | G7 |
IIIm7 VI7 IIm7 V7

4.Using a chain of dominant 7th as the Bridge of the rhythm changes:
| D7 | G7 | C7 | F7 |
III7 VI7 II7 V7

Behn's class is on.

Attend only if you've posted yourself playing the melody and the chords to I'll Remember April.

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Tony Miceli is inviting you to a scheduled Zoom meeting.

Topic: Good Vibes
Time: This is a recurring meeting Meet anytime

Join Zoom Meeting
https://uarts-edu.zoom.us/j/85407536321?pwd=Vk8valFVQ2lhZng0NGREUzdRdjh…

For me the ability to phrase on the vibraphones is essential to communicating one's musical message. Nuance of attack, length of notes, dynamics within 2,3 or 4 notes, combining legato, staccato within a phrase, varying space within ideas; all these nuances are tools and when used musically, give your message life and depth. I love working on these concepts using changes to standards or just playing free. I've chosen rhythm changes here because they're familiar, and a medium swing feel. Swinging eighth notes are also a way to phrase lines.