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Basic Voicings

This is likely to be old news for most on the site but hopefully helpful for those who haven't worked through these yet. I don't think I mentioned very clearly that you can replace the fifth of each voicing with the 6th for more color or variation.

Happy Birthday Tony - From Nicofarr - "Bach Prelude in C"

HAPPY BIRTHDAY TONY !!!!

As a gift, here is my current work on Bach Prelude in C Major, from the well tempered clavier.... Still a practice tape, but wanted to share it anyway.

Thanks again and again for building this, for making this happen... You know how much Charly and I have to thank you !! ;)

Happy Birthday!

Nico Farrugia

Stuff I'm working on... Wine and Roses, 1-5 permutation exercise

Here a recent take of Wine & Roses (to get going with posting here)
Through practice of permutation from Bergonzi's Melodic Structures I recently started finding a way to bridge the "gap" between playing the head with chords (I generally start out learning a tune by fitting the chords under the melody first- as written on the pdf) and horizontal lines, in other words: move on from a "stiff" head to being able to improvise over the changes.

The steps I figured out playing more freely & horizontal were:

Intro to the Modes Series 'Modes In Detail'

This is the first part of a multi part series on modes. When I've posted everything you'll find it in the link above here.
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Chinese translation for Chinese students
有幾個方式去學調式音階,
第一種你可以想成都在C大調音階的關係(全部沒有升降記號):
C音到C音Ionian,
D音到D音Dorian,
E音到E音Phrygian,
F音到F音Lydian,
G音到G音Mixolydian,
A音到A音Aeolian,
B音到B音Locian,

第二種方式,也是Tony喜歡用的一種方式:

把七個調式音階建立在同一個根音上,
比如Dorian就是把Ionian的3,7,音降低半音。
如果只是用第一種方式,沒有比較的對象,每一種調式聽起來都會只是在C大調中的聲音色彩。