Beginner

See the attached PDF!

Hello everyone,

This lesson is the first of a few on dampening for beginners, although more advanced players could certainly benefit as well.

Hi all,

The first of a few technique lessons I will be doing, this is on the grip I use, and why I think it is the best one.

In this video we apply the melodic structures into a basic Im-bVI-IIm7b5-V7alt minor cadence using the proper cell for each chord:

m7: 1-b3-4-5

Maj7: 1-2-3-5 

m7b5: 1-b3-4-b5

dom7: 1-b9-3-5 or 1-b9-3-#5 or 1-#9-3-#5

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In this video we apply the melodic structures into a basic I-Vim-IIm-V7 cadence using the proper cell for each chord: remember

1-2-3-5 in Major

1-b3-4-5 in minor

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Hi Vibes Lovers in this lesson I talk about a powerful tool that I got from Gerry Bergonzi called melodic structures. 

Those are motivic cell used for creating melodies: 

1-2-3-5 in Major

1-b3-4-5 in minor

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Like usual, get the melody down. Know it well and play it well. Think about phrasing, rhythm and time! 

Demonstration of David Friedman Etude number 8 with a focus on mallet muting. 

Here are three, two five, one progressions. 

Good voice leading for the most part is lazy voice leading. That means: 

1. you usually won't move the note if it's in the next chord.
2. you will move whatever voicings have to move but to the closest note in the next chord. 

With that in mind you figure this puzzle out. I'll attach the answers, but don't look until you're tried this out! 

Here is the challenge: 

Took a little longer getting this all together than anticipated due to holidays and work, but felt I was at a point I could post this stuff and keep on going.  

The goal of this round was to put a solo take of Blue Bossa together.  Things I worked on with Tony to get here are:

Rootless minor chords - 3,7,9,11 in all keys https://youtu.be/w-GSikYfuGk

Rootless Maj 2-5-1 progression on vibes min9, Dominant13(b9), Maj9 https://youtu.be/BrFjBZM7CQk