Here is my first lesson on applying the drop 2 voicing concept to the vibes. The ultimate goal is to be able to harmonize any melody with a 4 note voicing the way a horn section in a big band might or even to execute solo passages in this style.
Please go ahead and purchase Mark Levine's "The Drop 2 book" here:
http://www.shermusic.com
Here's a 2 part lesson on rhythm changes. The lesson plan contains the break down.
Here is a two part etude on rhythm changes. The first is a solo with a pdf of the transcription.
Part 2 is a chorus of comping with the transcribed music in a pdf from.
Also are audio files with all the parts and then without the play along parts.
You should memorize both solos and play them in different keys to study them.
This section will cover Giant Steps and ways to study and master the tune!
When you divide the octave up, you come up with a symetrical way of looking at music. It opens up new possibilites for improvising and playing over changes. You can come up with some interesting symmetrical scales that completely change the sounds and chords you can come up with.
A tritone splits the octave in half. A very common sound are major triads between the tritone split. In other words, F maj and then B maj. This lesson talks about that relationship.
A quick video of a way to practice getting your Brazilian comping together.
This tune (Birk's Works by Dizzy Gillespie) was posted on YouTube in June but originally video taped last year 2007.
BruceW
I talk a little about bass lines and how to work on them.
So I was thinking of making some sort of chord etude and I thought, why don't I just comp through a tune. Then if you're working on comping you could learn this etude and analyze it.
So I took the changes to 'I Loves You Porgy' and comped simply through it. I played mostly quarter notes to keep things moving.
I'm curious is this is helpful to any of you.