Well, I will have to give some sort of short workshop at the WVC (World Vibes Congress) this year. I was going to take notes and keep a diary on my computer and thought I would do it here. So I'll blog here and you guys can give me your two cents.
On Saturday we will link to all the videos for the second portion of the Day of Percussion on this page. Some players are playing live from 12-2. Others are submitting video which i will link to here.
David Friedman |
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Questions? Thoughts? What did you think? Let's talk about his book, here.
I have some things to say but I'll wait. How about some of you start. Gary will check in to answer questions and comment (I'm pretty sure).
🚨 Play a Great Blues in 3 Months – Week 9
Over the past few weeks, we’ve been expanding our line vocabulary using real jazz language:
• Guide tones
• Chromaticism
• Augmented sounds
This week, we take another important step by focusing on two essential dominant sounds:
👉 Whole tone
👉 Diminished
These sounds show up constantly in jazz improvisation, especially over dominant chords, and they create a strong sense of tension and forward motion.
Friedman 16 Pedaling Etude (With Extra Background Noise)
Working on Pedaling, Chords and Technique.
Working on Pedaling, Technique, and Dynamics
🚨 Play a Great Blues in 3 Months – Week 8
Over the past few weeks, we’ve been building lines using real jazz vocabulary—starting with guide tones, then expanding into phrases drawn from players like Milt Jackson.
This week, we focus on one of the most important elements of that language:
👉 Chromaticism
These lines are built using phrases from Milt Jackson transcriptions and other bebop sources, but the main idea is how chromatic notes connect and shape the line.
You’ll hear:
Tony's "blues super pack" transcription transposed in C.
Here's the original in F : https://www.vibesworkshop.com/video-embed/blues-super-pack-transcriptio…