Well, I will have to give some sort of short workshop at the WVC (World Vibes Congress) this year. I was going to take notes and keep a diary on my computer and thought I would do it here. So I'll blog here and you guys can give me your two cents.
On Saturday we will link to all the videos for the second portion of the Day of Percussion on this page. Some players are playing live from 12-2. Others are submitting video which i will link to here.
David Friedman |
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Questions? Thoughts? What did you think? Let's talk about his book, here.
I have some things to say but I'll wait. How about some of you start. Gary will check in to answer questions and comment (I'm pretty sure).
In Part 6, we continue exploring scale-based soloing over the blues in F, this time using bebop dominant scale variants enriched with added chromatic passing tones. This lesson focuses on creating longer, more fluid lines that still clearly outline the changes—using the dominant bebop scale as a flexible framework, not a strict formula.
In Part 5, we shift our focus from arpeggios to scale-based soloing, using the bebop dominant scale as a framework for outlining harmony with a smoother, more linear flow. This scale includes a chromatic passing tone (usually the natural 7th in a dominant scale), allowing you to maintain a strong rhythmic flow while still landing chord tones on downbeats.
He is the man on the Malletkat IMHO!
In Part 4, we take the 7th chord outlines from the previous lesson and extend them into 9ths, while also adding alterations and inversions on dominant chords. The result is a more melodic, colorful, and expressive soloing vocabulary—still grounded in chord structure, but reaching toward the sound of bebop and beyond.
Classes will be as follows:
at 2:45 we will do either the rhythm section class or the perc. Which ever one we do first we will do the other one right after.
Oliver Mayman will do the classes on Wednesday, Behn Gillece on Thursday.
Friday the schedule will change a little bit and in the afternoon Chuck Redd will do a workshop. (He's a great 2 mallet vibe player and a GREAT drummer).
Just found Mattias Ståhl. Anyone know about him?
I think he sounds great and very interesting!