07-01-20 is our next pop up class. We will study Bluessette.
If you're interested and will make the time for the class.. and you are a paid subscriber let me know and I'll let you into the online classroom. The zoom links and everything else will be there.
email me at tony@tonymiceli.com.
POP UP CLASSES ARE A PART OF THE PAID SUBSCRIBERS PACKAGE
This reminds me how cool this song is. Lots of high school kids play it.
Just like all the wedding bands back in the day playing a crappy version of Girl From Ipanema. You hate and then you hear the original and go, wow it's so beautiful!
Same here for me
I discovered this several weeks ago and was reluctant to post this because it is so foreign to what we tend to talk about here. But I watched it again today and it's just too good to dismiss. Now I don't and never have played or studied marimba, so this might be the usual fare for marimba players but I've never heard anyone work these techniques into a vibes improvisation.
I found this over at https://www.deaganresource.com/
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Deagan Vibraharps |
Here is the video I made for today's coffeehouse.
(not sure why the video distorts)
It's an edited, video version of this lesson: https://www.vibesworkshop.com/audio-player/lbglw-2-part-1-little-bit-go…
With a few less glitches and a 10 piece band backing behind it, an audience that was late-night drunk, and sympathetic to depression-era blues,,,,it could work.
2'nd of my private 'Corona-Works' is a Vibraphone-Solo Arrangement of 'Somewhere over the Rainbow'.
New clip recorded today with the iPhone and new mic (Shure MV88 stereo condenser mic). Reading through some songs and revisited this one that I use to play quite along time ago. The mic comes with a neat audio and video app and records with a wide stereo image and nice clarity.
This is kind of a jank video-- low energy today. But still highlights some important notions: We forget about our bodies while playing. Another place to diagnose and theorize and stuff is back where our hands, arms, and even the total torso are acting.
Then I poorly demonstrate the virtues of preshifting as a muscle encoder. But it DOES embed the subsequent notes into the act of striking and rebounding itself. It forces mental leading and appropriate concentration.
Quick overview of the discrete skills needed to play efficient strokes and shift. Each skill can be meditated on repeatedly for many hours and spiraled into your sessions at every stage of your career. I still pick up on new sensations throughout the arm and torso that I didn't recognize before.
