Vibraphone

Here's Behn's video:
https://www.vibesworkshop.com/node/18340

I talk here about starting the chords from a different note. Kind of cool what you get.

TRADUCIDO AL ESPAÑOL PARA ESTUDIANTES

Título: Un pequeño pensamiento añadido al vídeo de Behn. Armonizando la escala disminuida.

En este vídeo hablo acerca de empezar los acordes desde una nota diferente. Es muy chevere lo que obtienes.

Here are some thoughts and ways to begin with rootless voicings.
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Chinese translation for Chinese students.

學會如何演奏出Rootless voicing,
Step1:先找出和弦的 1,3,5,7音
Step2:去掉根音(root)，加進9音。
Step3:去掉5音，加進11, 13音。
如果是屬和絃(Dominant)通常是加入13音。
例如G13，會用9和13音。在一定保留3,7音的情況下，這個Voicing的組成音就是 F,A,B,E.
再例如Cmajor7, 去掉根音加上9音。大部份會再去掉5音，加上升11音(#11等於#4)。會得到Lydian的聲音

Hi Guys this month i'm going to do the second part of my lesson for those of you who wants to practice quartal voicings and applied them in modal jazz.

As usual feel free to contact me through my website: www.giovanniperin.com and to follow me on FB and Youtube!

Hi All,
Warren Wolf opens the February show with his reverent cover of Bobby Hutcherson's "Montara."
Warren could start a whole new religion with this recording.
Jerry Weir follows with a Cedar Walton tune, then Dana Sudborough and "What About Me?"
Behn appears with the title tune from his recent CD "Dare To Be," then Thomas Mackay with a lovely standard. From Hendrik Meurkens' Mundell's Moods comes Mundell Lowe on guitar. That's just the first half hour!

We need another day of mini concerts from our members. Remember what a mini concert is? you play 2 or 3 tunes in a row without stopping as if you're on stage. Audio or video.

Then we pick a day and upload the night before. Then everyone else comes on the site and watches the videos.

In fact if everyone sent me the video, I could make the whole concert in one video. That would be nice, it would feel like an evening of vibes!

You guys interested? Any takers? I'm in for two tunes.

I tell you ..... after Tony told me. Alterned sticking is the key over up tempos.
Alterned sticking Alterned sticking Alterned sticking Alterned ......
:o))

I first heard his quartet in a club in Sausolito, CA back in the late 1960s. I remember Roy Haynes had a tympani drum included in his kit which he played with great enthusiasm.

I loved the music, but as a young teen with very limited ears, I struggled to comprehend what is was all about. However, I knew I wanted to play that music. Gary was my inspiration.

I had 2 of Gary's records in my possession at about that time, Duster, and Country Roads and Other Places. I especially liked General Mojo, Sweet Rain, the Ravel Prelude, and My Foolish Heart.