Here is a song from my book - Vibraphone Virtuosity: Advanced Progressive Etudes. I hope you enjoy
my vibraphone solo, Etude No 35, taken directly from my book!
In this video I'll cover different strategies and approaches for creating lines using simple triads. The idea is pretty easy and comes from the triadic harmonization of both major and minor scales.
Hope you can get something helpful out of this lesson.
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Hey everyone,
Just a little technical exercise I've been working on that has some great applications for using all four mallets in your lines, and for producing a constant arpeggiating effect.
Might be a nice TOTM.
It really is a great study of harmony!
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Hello all! Here's my version of Etude 5 from the Dampening and Pedaling Book!
The great Irving Berlin ballad.
I'm always amazed at those old xylo players. Honestly I can't believe that that instrument was that popular. It's bizarre to me.
But Teddy is great, and I'm always watching his videos.
It's also interesting to me to listen to music where they have no real concept of bebop, rock, rap or anything.
Hello all,
The vibraphone is one of the only instruments we play where you have to work extra hard to control the ending of a note. It requires two separate strokes to play and end any given note with dampening, whereas on, say, the saxophone, you can end a note by simply stopping your air. Thus, it's important to figure out how all this relates to playing the instrument in any context, including in lines, so that you're able to play what you're hearing.
Thinking about dampening, deadstroking, stride piano, sliding, big band shout choruses, walking bass lines, block chords, and much more! Let me know what you think!