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Ways to Study the Modes

It's really important to practice the modes in a way that helps you learn the sounds of each. Paying C Major and then D Dorian will still sound like C Major. Play C Major and then C Dorian and hear the difference!

今天要講調式音階(Modes),練習調式最好的方式是練習把七個調式建立在同一個根音上,有些人會有錯誤的觀念覺的Ionian就是從C音開始,然後Dorian就從D開始。

所以最好練習的方式:
左手演奏根音和五音(設定好一個固定低音)
右手演奏不同的Modes,例如Dorian的聲音, 是major scale降3音降7音(bE, bB),你也可以想成C是二級,
所以往下推就是Bbmajor scale.
然後來回互換七種不同的調式,讓耳朵適應各種不同的聲音色彩。

好處:等你熟悉各種調式之後,你會容易的就聽懂更多東西。

(Tony示範按照順序轉換七種不同調式)

philadelphia vibraphone workshop 2009

I had a great time on Saturday at the 09 vibesworkshop held this past weekend. The instructors were top pros and educators all dedicated to the cause and that came through without a doubt. The technical display and theory information I took in as much as I could; it let me know right were I stand. The hi-lite for me was when Joe Locke critiqed my solo over blues changes. I was quite nervous and felt that emotion was coming through in my playing. However, Joe heard something different and I felt reassured by his comments.

Let's Sum Up the Workshop

FIRST OF ALL HERE'S AN IMPORTANT TIP: Make sure you click on the link and you're in the virtual classroom.

Next when you post something instead of choosing where you usually post which is up clicking on the word post, NOW you will look down on the left and see the classroom and under that you will see all the 'create' links. Usually you'll just use 'CREATE STORY' and post. that will keep the post in the classroom.

NEXT:
Why don't we each talk about the highlights from the workshop. This is help others remember things maybe they set aside or have forgotten.

Four In One Etude

Ok here's the etude. It should be in good shape. But here's what happened. I came home from a gig and started reading Arthur C. Clarke's 'Rendezvous' and couldn't stop until i finished the book. I really tried!!

Then I ran down to my studio and cranked this out. I added a solo section for you to check out also. I'll add the midi file. Remember it sounds bad (the midi file) but might serve as a good reference.

I put the chords in for the head, and then left them out for the solo section. You should play each bar, write the chords in and study it that way.

Philly Workshop by Doubleday

The workshop seemed to be a success! Its not everyday that you get to meet guys like Joe Locke, Tony Miceli, Mike Pinto, Dana Sudborough, and Randy Sutin. It was a bit nerve racking to have to follow these performances at the vibe hang. Those guys are real heavy weights. Hopefully next time I'll be able to hold my own.

Joe Locke is THE hippest guy I've ever met. He has now become one of my major role models. Meeting and talking to him was such a blessing. I hope I can meet him again sometime.

Philly Vibes Workshop

I really enjoyed visitng Tony's workshop @ the University of the Arts this past weekend in
Philadelphia. I enjoyed what I heard and it was a pleasure meeting all of the vibists who attended. The atmosphere was casual and relaxed, but I liked the fact that everyone came to work, and were serious about learning.

Tony's making a great contribution to our instrument with www.vibesworkshop.com and now also with events such as the Philadelphia Weekend Workshop, which affords vibists the opportunity to meet and grow in real-time.