Here's a chord study based on the tune Beautiful Love.

Here are the steps I think you need to do to make this effective.

1. Analyze the chords against the original changes. The roots are the same even if they are not there. So analyze against the roots of the changes in the Real Book.
2. Play the tune a couple times
3. Play the chords your own way
4. Play the etude
5. Add rhythm to the etude

The pdf of the etude is attached.

Hi all,

Remember this video I recently posted about vibist Les Blachut and his "adventures" on stage?

If not, you can find it back here:
http://www.vibesworkshop.com/video/vibist-les-blachut-%E2%80%93-show-mu…

Well I got another one from him on Facebook!

Sorry for the poor sound. Just keep an eye up to 1'02, and then 3'10! He just cracked me up! :o)

HELLO EVERYBODY. I AM FINISH (FOR NOW) MY PRACTISE ON COMPING IN ALL KEYS AND I START 2-3 WEEKS AGO CHORD SOLO AND SIMPLE BEBOP LINES IN ALL KEYS IN DIFFERENT PROGRESSIONS. SO FOR MY PRACTISE IT CAME THIS LICK. I THINK SOLO IN ALL KEYS IS VERY IMPORTANT SO I WILL CONTINUES PRACTISING FOR 2 MORE MONTHS, UNTIL MY BRAIN IS DESTROYED...
I WILL POST AUDIO OF MY WORK UNTIL KNOW.FOR NOW I AM STUCK ON CHORD SOLO IN (ALL POSIBLE) PROGRESSIONS...

THANKS
DIM

Hi All,

In Newsweek online, there's an article call "Jazz is Dead. Long Live Jazz" (see http://www.newsweek.com/id/226331). I'm not sure I can decode a coherent message from the article, but one of the comments seems to be about the friction between jazz's pop/dance music roots and it's art music present (and arguably last 40-50 years or so), and judging the quality of today's jazz vs. yesterday's on the basis of popularity is the wrong approach. It also seems to me that the article does better with "Jazz is Dead" than it does with "Long Live Jazz".

Hi all!

I've been working on What A Difference A Day Made for quite a long time already - here is what came out - many flaws of course, but heck it's a practice tape and I am an amateur.

Critics welcome, cheers STE

So, I've been talking about quarter notes a lot this week. As a result, I've been thinking about quarter notes a lot this week. As a result I've been practicing quarter notes a lot this week!

Quarter notes are really interesting to me. They're sort of the essence of the music, the downbeats the strong beats. Some how we have to understand what they are and how to treat them and how to get around them.

Here's the best of my quarter note etudes. The great thing about improvising is that you can make up your own etudes. So that's what I do.

Andrew is a freshman at the University of the Arts. And he's a hard working freshman! He came to the vibe hang today and played minority. Check it out!

This is something completely different.

I imagine some or many of you won't like it, but I want to tell you about it and the process.

I love it, it's a group called Symbiosis and we just get together with our synths and play free electronic music. Don't think atonal or 20th center although there are sections that sound like that. This is music where we listen and try to play tonally in some way.

This is a nice tune to study. I was working on it today and thought I post a version of my practice session. Here it is...