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Sword of Whispers - BarryK's Demo

I couldn't wait for Tony's etude so I started working with the Sword of Whispers lead sheet on Joe's site. This is a demo recording to put down some ideas. I was mainly trying to get the notes and some harmonies. I need major work on my rhythm. I tried playing along with http://www.metronomeonline.com/ but it only can help so much.

Anyway, you know where the Stop button is.

Barry

Stereo Mic'ing

I am curious how many players put bass in the right channel vs. the left channel. How many don't care either way. Having played keyboard forever, I feel bass should go on the left, but I hear many (most) other vibes panned the other way.

I've heard that a reason to pan bass to the right would be for an audience perspective but, especially for lessons, it would make sense to me to pan for the player's perspective, i.e., bass on left.

Barry

"How jazz came to Orange County State fair", a gig story by Paul Desmond

Some time ago, Tony started a "gig story" series. This one here is by Paul Emil Breitenfeld, AKA Paul Desmond. It's to be found, among other things in relation to Desmond, on http://www.puredesmond.ca/. It's a most humorous gig story written by the guy who thought he sounded "like a dry Martini". We can all do with a bit of humor these days, can't we ?
I've attached it as a PDF file.

The Art of Sticking

Ok, all this talk about sticking, I thought I'd post something I think and get everyone's response.

I think to really play lines and play them spontaneously you need to totally have your alternate sticking down. That's the most important sticking there is. For me all this double stroke stuff is cool, but the ultimate fluid line comes out of mastering alternate sticking.

Just my opinion and the way I teach. Give me your takes on this.

I think if you master alternate sticking and alternate sticking on C maj, that then you can start switching things up.