I Think This is a Great Lesson
Attached is a PDF. I think these types of exercises are invaluable. However they take a lot of time in the beginning and get easier towards the end. But you are a changed musician at the end.
Put the chords in (it's All the Things You Are). Analyze it a little bit.
Play it and memorize it.
Put it through all the keys, from memory. This is the very very important part. Eventually the melodies will be in your head and you will go to the right notes. You'll then see alterations in other keys, you'll be training your ears. I did so much of all this, back in the day!
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8 Weeks of Ballads - Sentimental Mood - Skating
So here's the deal.
I wrote an etude of all eighth notes. It's important for us to be able to weave through the changes, up and down and up and down. It's important for us to move the line in seconds. We do it much more easily with 3rds, but 2nds is where the magic happens.
- If you're going to do this right, write in the changes and study the lines.
- Play the etude down.
- Memorize the etude completely.
- Throw away the music.
- Play the etude in other keys.
- Smile at how much you've learned
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Friedman Etude No. 9 by Josh Frimet
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TOTM - Flamenco Sketches - Part 1
Correction - Think of the D mixlydian phrygian chord as a D triad with an Eb.
Attached is an example of how to play The chord part of Flamenco Sketches on the vibes.
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Giant Steps - TOTM
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For Marie
Marie, this is for you. It's easier to read this then to read what's in the real book.
Remember if this is overwhelming try to just go one bar at a time. And remember..... No pressure!
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Friedman Etude No. 3 by DrummerDave
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GMV-Chapter 1 (part 2) "A run run" by Israel Arranz
(ENGLISH)
GMV-Chapter 1 (part 2) "A run run"
"A run run" is a traditional galician christmas song, which is very known in Galicia. I´ve written and arrangement-study for solo vibes so in this part (part 2) you can practice pedaling, dampening, reharmonization and modulation. The video and the PDF contain the same material (you can watch and listen it in the video and read it in the PDF).
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This Interests Me -V
I'm always looking to see and hear how people play in different situations and whether it holds my attnetion.
David Patrios is a great mallet player. Just look how he plays in this duo!
He's on a .... is it a Balifon? Or do I just call it a marimba? I don't know.
But he makes great melodies.
This just reminds me what we need to make music. We don't need 4 mallets going on all the time. For most of us that's a good think. We need strong melodies with chords interspersed!
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