Quick Lesson (QL) 1 - Play the Chord Up the Scale
Technique - Separate Beg Borrow Steal - An Over View
This is one way I think of playing the vibes. The great think is this way of thinking gave me many many ideas and concepts for practicing!
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Simple Dominant line
Simple line I like over dominant chords
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CYDT - Simple Exercise - But Hard
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Rootless Voicings pt. 1 - Rootless Funk Etude
An experienced vibe player plays a lot less roots than an inexperienced one. We know that roots for us do not move the harmony, the upper partials do. I've talked extensively about this on vibes workshop.
Also with a bass player there's no need to play the bass notes right? So work on your rootless voicings.
One thing I've talked about is the following. Play these chords:
Fmaj7
E triad / F
Emin7
That's what the chords look like without the roots. That's a ii V I in the key of C. Play it you'll see.
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8MAD - Voice Leading - Day 3
Day 3: There are additional passing tones in m2, 4, and 6. M2 and 4 have b13 passing tones. This adds some tension to the voicings. As in the other lessons, dampen and create legato transitions between the notes.
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7WOB - Blues for Alice - SBYI1
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TOTM - Peace - 5 - Messing With the Harmony
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CYDT - Take Any Chord and Move it Up and Down the Scale
CYDT (Can you do this)