Day 3: There are additional passing tones in m2, 4, and 6. M2 and 4 have b13 passing tones. This adds some tension to the voicings. As in the other lessons, dampen and create legato transitions between the notes.
Here's Behn's video:
https://www.vibesworkshop.com/node/18340
I talk here about starting the chords from a different note. Kind of cool what you get.
TRADUCIDO AL ESPAÑOL PARA ESTUDIANTES
Título: Un pequeño pensamiento añadido al vídeo de Behn. Armonizando la escala disminuida.
En este vídeo hablo acerca de empezar los acordes desde una nota diferente. Es muy chevere lo que obtienes.
CYDT (Can you do this)
I've probably said a lot of this before. Consider it a refresher course :-).
.
I made this for my student Nathan, but I'd love to see who else wants to do this.
I play All Blues with an Aebersold recording. You play the melody and at the end. I solo first. You comp for me and I comp for you. Comp in the lower octave and solo in the middle and up high as much as you can. That way we will stay out of each others way a bit.