8MAD - Developing A Turnaround Line - Day 4
Day 4: You will notice the first measure has been changed slightly. Rather than have it go up the Gm dorian as it has been, this measure has a melodic minor type sound to it. Even though it's a Gm7 chord, the F# is really just a passing tone and gives strength surrounding the root.
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How to Prepare for the 1-19-2013 Online Class
If you're going to try out the online class this weekend here's a way to prepare.
Learn the melody and the chords. Don't worry about a chord melody or anything like that if you don't want to.
Be able to play through the tune EVEN if you read the music. The point is to get from the beginning to the end whether you memorize or read.
Play the the tune a little each day so it's working it's way in your mind.
Print out a lead sheet to the tune, so you can look along with us as we play through the tune.
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Dorian Exercise Pt. 1 by Behn Gillece
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If I Should Lose You Chord Study for Dan
My student Dan asked me for a chord etude on this tune. So here it is with the rhythms.
The tune: If I Should Lose You
Assignment: right in the chord symbols and analyze what I'm doing.
@Dan, why don't you write up something about this? And why don't you play it and record it and post your version. My chords then your chords.
@Everyone else: Why don't you check this out and think of some questions. I'm asking if you have questions. I'm asking you to think of questions. Create some dialogue.
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8MAD - Rhythmic Comping - Day 5
Day 5; In this final lesson, we're sticking with closed voicings. The top note changes with each chord. I particularly like the 2nd F7 voicing which is A,D,Eb,F from bottom up. It's very crunchy and fun to groove on.
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Getting Church Part 2
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Poinciana Quarter Notes for Matt Jadin (and anyone else :-)
Here matt.
so you have to practice it and post your version here since i did it for you :-).
can anyone beat him?
Rootless Voicings - Part 9 - Dom b13b9
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