Hey everyone,
Another lesson on comping. This time I'm looking at octave displacement (a lot less crazy than it sounds in this context) and rolls -- two things vibes players could do more, I think!
In time, through all modes in C.
Hey everyone,
Here's the third and final part of my series on comping over a medium swing F blues, and how to give it that rhythmic drive a full rhythm section has. This is an interesting lesson, because I, myself, am still figuring it out! We're talking about sliding -- like a glissando, and how to use it the way guitarists and pianists do.
Let me know if you guys have thoughts on this! I obviously don't think it's applicable in all situations, but I think it certainly has some use in swing and rhythm music.
Here is my solo vibes arrangement of Black Orpheus in d minor.
More keys coming soon. Head/Solo/Head/Out
OK, a bit of a clickbait title, yes, but it's true! All three voicings I'll show you in this video have no third, which is usually the one note we absolutely need! We shall explore why that's the case.
Line Building Blocks Exercise
In this part of the series, I talk about feel and proper dynamics of playing a bass line on vibes. I also look at chord substitutions on the F blues.