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Harmony Without Chords Pt. 10 by Behn Gillece

🎵 Harmony Without Chords – Pt. 10: Putting It All Together

In Part 10, we bring together the core concepts from Parts 1–9 into a single, musical chorus over Minority by Gigi Gryce. This etude is designed not to feel like a technical study, but like a complete improvised statement — one that clearly implies harmony through line construction alone.

Throughout the chorus, you’ll hear:

Using The Bebop Scale On Modal Tunes Pt. 2 by Behn Gillece

In a recent lesson, I worked with a student on applying modal concepts to one of my original compositions, Mindful Moments. As in our previous lesson, we focused on incorporating dominant bebop harmony within a modal framework. While understanding modes is essential, embellishing them with dominant bebop vocabulary adds depth and character to modal playing—something that can be heard in the improvisation of the jazz greats.

Beginner's Series - Working On Time Pt. 3 by Behn Gillece

? Working on Time Pt. 3: Simple Blues with Four-Note Voicings

Goal:
Play through a simple three-chord blues using four-note voicings, while locking in your time with the metronome on beats 2 and 4 at a medium tempo. This lesson builds on Part 2 by applying the foundational third and seventh movement into fuller voicings across an entire 12-bar form.

What you’ll practice: