This lesson introduces a new variation, a more syncopated approach to bossa nova comping over the A section of Wave. Designed to deepen rhythmic phrasing and hand independence, this variation more closely simulates the natural, flowing feel of authentic bossa guitar patterns—adapted for vibraphone.
Check out the attached PDF!
A great tool for practicing hard lines.
Check out the attached PDF!
I am doing a lot of teaching this semester. Probably the most I have ever done. It's really hard for a musician to turn work down. Well for me it is.
It's a lot of fun teaching students who practice and work hard. Not as much fun teaching students with lots of excuses.
I do have a bunch of good students though so that helps. Here's an exercise I made for one of them to work on the Bebop dom scale. Learn it, memorize it and play it fast!!!!
This will help with your voicings.
In Part 6 of Harmony Without Chords, we expand on previous ii–V concepts by focusing on clear chord outlining and upper extensions over dominant chords, all while continuing the descending whole-step motion. Rather than relying on chord voicings, these exercises show how strong line construction alone can clearly imply harmony, even as the harmonic density increases.
Don't write it down until you can play it.
Can you play it in another key?
I tried to make the easy one easy. The other has two choruses, one easier than the other.
I also tried to focus on some things like a scale or a target note.
Another Cool Turnaround! Pt. 1 by Behn Gillece
Hey everyone,
In this first lesson on pedaling, I explain how I view the pedal, how it's different from the piano, and how to set it up properly. Next we will talk about legato-pedaling, staccato-pedaling, pedaling rhythm, and half-pedaling.