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I've done other etudes with Cherokee, but here's a new one. I like doing  certain tunes even if I'm doing another something for that tune. Some tunes have so many progressions in them that when you learn them, you learn many many other tunes at the same time because they have pieces of these progressions. So learn this one again it's best. If you memorize it, play it and play it and play it study it study the harmony study the upper partial, see what you remember when you make up your own solo or you do your own comping.

This etude goes through the same chord changes as Blues for Alice. One thing to keep in mind is that when playing this etude with the additional ii-V-I's, figure out all the other tunes you can use these lines on. Also, try it in different keys!

Chords and Scales, Head and Solo

Check out the attached PDF!

This is a performance of Friedman 13.

🚨 Soloing Through the Changes Pt. 5 – Scale-Based Soloing: Bebop Dominant & Diminished Scales

In Part 5, we shift our focus from arpeggios to scale-based soloing, using the bebop dominant scale as a framework for outlining harmony with a smoother, more linear flow. This scale includes a chromatic passing tone (usually the natural 7th in a dominant scale), allowing you to maintain a strong rhythmic flow while still landing chord tones on downbeats.

Steve Weiss Mallet Workshop Preview Pt. 2 by Behn Gillece

🚨 Soloing Through the Changes Pt. 6 – Bebop Scale Variants on the Blues

In Part 6, we continue exploring scale-based soloing over the blues in F, this time using bebop dominant scale variants enriched with added chromatic passing tones. This lesson focuses on creating longer, more fluid lines that still clearly outline the changes—using the dominant bebop scale as a flexible framework, not a strict formula.

Assignments Due

• Play iib5 V7b13b9 imin(maj7) through cycle of 4ths - post
• Post Friedman #9
• Donna Lee Play the whole melody once through and then comp the first 8 bars - All rootless voicings
• Post a review of the vibe player you found and tell me about it.

Open Closed

• Talk about Open Closed with dom b13 b or # 9

Assignment

• Play dom b13 b or # 9 if #9 make sure you put the #9 on top - cycle of 4ths

Tunes

Assignment

• Donna Lee Play th

? Lesson 4: Expanding the Blues with Functional Harmony Goal: 

Strengthen time feel and harmonic fluency by adding functional variations to the 12-bar blues form, while maintaining steady comping with a metronome on beats 2 and 4.