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Chords From Chords by Tony Miceli

Think of a G7b9 13. There's another triad in there besides G maj. There's E maj. So if you only play the third the flat 9 and the 13th of the chord and the chord is a G7 it will still function as a G7 but will look like an E maj chord. What's interesting is now you have two things happening here, you have a triad but it's serving as a dominant chord. We're just not playing all the notes in the dominant chord and creating something interesting. I hope that makes sense. This lesson is about that.

Revisiting with the Burton Quartet

Hi vibists,

Here's me with Gary & Steve Swallow after last night's GB Quartet show in Ridgefield, CT. Had a brief chat with Gary, and he was kind enough to stop for a photo. We were introduced once many years ago, but very inconsequentially, so it was great to speak with him again. And it's always a thrill to see Swallow, who is one of my favorite people anywhere.

C maj D min Lesson by Tony Miceli - Triad Pairs

Triad Pairs are a cool notion. After this lesson you can probably make up your own.

WHOOOPS! IN THE BEGINNING OF THIS I SAY CMAJ AND CMIN I MEAN C MAJ AND DMIN.

ALSO SEE THE ATTACHED FILE BELOW FOR A QUICK LOOK AT TRIAD PAIRS.

Remember take any chord, then check out the scale and find two triads.
Next: Does is sound good?
Next: Can you play a drone on a synth of the Root?

For example: